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Why I Tune In

I’ve always loved the Tony Awards. As a kid growing up in the Midwest it was one of the few connections I had to Broadway. I was never really that concerned with who received the awards. In several cases I had no idea who the nominees were and even if I did know them, there was no way to gauge who might take home the statue. These people were being recognized for work that took place over a thousand miles away from me. And this son of a truck driver never had any delusions that he might suddenly find himself in a Broadway theatre watching a Tony celebrated performance.

No, I tuned in then for the same reason I tune in now – I wanted to catch a glimpse of the new Broadway shows. I loved the numbers from the musicals. I loved the snippets from the plays. I loved the specially written opening songs and dances; and the musical salutes to theatre’s luminaries. If there was an actor or actress doing their thing, I wanted to see it.

Oh sure, I watched the awards, and every now and then was moved by an acceptance speech (Michael Jeter’s comes to mind), but the awards always felt like filler for the real show. The glitzy spectacle numbers, the moving power ballads, the funny comedic turns and the sometimes awkward and often out-of-context dramatic scenes were what I lived for.

The whole idea of turning theatre into a competition has always baffled me. The high school that I attended was never involved in any of the dramatic competitions that took place in our area, so I was never exposed to that world. Perhaps I’d feel differently now if I’d had that experience. But to try to quantify someone’s ability to delve into a character or to tell a story seems like trying to capture the wind with a butterfly net.

The Tony Awards are a competition, regardless of the fact that “the-powers-that-be” have tried to down play the competition aspect. There hasn’t been a Tony Award “winner” in years. Now when the awards are bestowed they are always prefaced with, “The Tony Award goes to…”, as if what we are really witnessing is a reading of a FedEx shipment manifest rather than the final decision of a small group of Tony voters.

Judging artistic endeavors is a tricky deal no matter the medium but at least for the Oscars, the Emmys, the Grammys, etc. the voters can be certain that they are each judging the same material because the performances are frozen in time. With live theatre however there’s no such guarantee. The performance that one Tony voter sees on Tuesday night may be a completely different performance from the one watched by a voter on Friday night. Audiences may react differently, a prop may malfunction, an understudy might be on and suddenly the same words spoken three nights earlier might land a completely different way. Not to mention the question of how to compare the words and works of Neil Simon to Tom Stoppard or David Mamet to William Shakespeare. Nonetheless shows and performances are viewed, judged and voted upon with one being deemed the best.

The sad part is that live theatre is fleeting. A performance witnessed today is nothing but a memory once the curtain falls. It’s also what makes watching live theatre so exciting. The audience gets to feel that they are part of an exclusive event. But to dub an exclusive event the best of all exclusive events can be potentially alienating.

That may be one of the reasons why the Tony Awards telecast has always struggled for ratings. Unless the viewer is a die-hard fan of Broadway, he or she probably doesn’t know the performers, the shows or the people on the creative side. And unlike the Oscars, where a lot of the names and faces may also be unfamiliar to the viewer, a simple trip to the local movie theatre or video rental store won’t resolve the problem. If you are a member of the general viewing public why would you want to learn about an amazing performance that’s taking place night after night in a theatre over a thousand miles away when there is little chance you’ll ever see it?

I don’t know the answer to that, probably because I’ve never asked myself that question before. I was like some beggar happy with whatever I could get. It didn’t matter to me who won the awards because in my book they were all winners - they got to perform on Broadway. And I tuned in because watching the Tony Awards made me feel that for a couple of hours I was a part of Broadway too.

By Roger Seyer

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