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Six Degrees of The Phantom: George M. Cohan

This is a weekly feature on BroadwayLiving.com. It’s just like the game “Six Degrees of Kevin Bacon”. You know how it goes…someone throws out an actor’s name and you have to try to connect them to Kevin Bacon in six steps or less.

I thought it might be fun to do the same thing with the theater’s luminaries. I will be trying to connect them to the longest running show in Broadway history, The Phantom of the Opera and its very first “Phantom”, Michael Crawford.

Next week the country will celebrate another Independence Day. So who better to highlight in this feature than the original “Yankee Doodle Boy”, the legendary George M. Cohan.

Cohan was a self professed “real live nephew of my Uncle Sam, born on the Fourth of July”. Although records indicate that he was actually born on July 3, 1878 in Providence, RI, the family vaudeville act known as The Four Cohens probably couldn’t resist the marketing value of having one of their own share a birthday with the country, and so they continually insisted that George had been born on the fourth.

Jerry, Nellie, Josephine and George Cohan played the vaudeville circuits for many years. George eventually began to write all of the material for the family’s act. With Cohan’s songs, skits and shrewd management the Four Cohans soon gained wide recognition. It was around this time that Cohan began using his trademark sign-off to appreciative audiences: “Ladies and gentleman, my mother thanks you, my father thanks you, my sister thanks you and I thank you!”

After a falling out with B.F. Keith, the man who controlled most of the bookings for vaudeville houses around the country, George declared that no Cohan would ever work for Keith again and so he made his move to the legitimate stage. He expanded one of the family’s sketches into a full length musical and in 1901 the Cohans made their Broadway debut in The Govenor’s Son with music, lyrics and a book by George M. Cohan. The show was a flop on Broadway but enjoyed financial success on the road.

Soon after, Cohan met gambler and boxing promoter, Sam Harris. The two formed a producing partnership that is now legendary. Harris produced Cohan’s first hit, Little Johnny Jones (1904). This is the show for which George penned “Yankee Doodle Boy”, as well as “Give My Regards to Broadway”.

He continued to express his patriotic flair when he wrote “You’re a Grand Old Flag” for the musical George Washington, Jr.(1904). The inspiration for the song came from an encounter George had with a Civil War veteran who had fought at the battle of Gettysburg. The vet held a tattered flag and Cohan overheard him say, “She’s a grand old rag.” The sentiment became the first line of his new song until critics complained of his referring to the Stars and Stripes as a “rag”. Not wanting to offend, he changed the lyric to “flag”.

When World War I broke out in 1917, Cohan once again tapped into the nation’s sentiments when he composed “Over There”. The song earned him a Congressional Medal of Honor which was presented to him in 1940 by President Franklin Roosevelt. To this day, he is the only American composer ever to receive the distinction.

In the early 1960’s a statue of Cohan was erected in the center of Times Square. The man who once “owned Broadway” now stands at the intersection of Broadway and 46th Street. He was a successful actor, singer, dancer, composer, playwright, director, producer and theater owner. George M. Cohan is a Broadway legend and an American icon.

1) George M. Cohan played President FDR in I’d Rather Be Right with Joseph Macauley
2) Joseph Macauley appeared in Funny Girl with Lainie Kazan
3) Lainie Kazan was in My Favorite Year with Bruce Winant
4) Bruce Winant did Ragtime with Judy Kaye.
5) Judy Kaye was the original “Carlotta” in The Phantom of the Opera with Michael Crawford.

You’re a grand old flag,
You’re a high flying flag
And forever in peace my you wave.
George Belgrave in George Washington, Jr. (1906)

So that’s the game. Join me each week as I try to come up with new ways of connecting Michael Crawford to the entire theater community.

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