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Six Degrees of The Phantom: Zoe Caldwell

This is a weekly feature on BroadwayLiving.com.  It’s just like the game “Six Degrees of Kevin Bacon”.  You know how it goes…someone throws out an actor’s name and you have to try to connect them to Kevin Bacon in six steps or less.

I thought it might be fun to do the same thing with the theater’s luminaries.  I will be trying to connect them to the longest running show in Broadway history, The Phantom of the Opera and its very first “Phantom”, Michael Crawford.

Zoe Caldwell was born on this day in 1933 in Melbourne, Australia.  She first appeared on stage at the age of nine when she played Slightly Spoiled in a production of Peter Pan.  In her teens she worked on radio soap operas and in 1958 received a scholarship to work at the Stratford Memorial Theatre in Britain.  In 1961 she immigrated to Canada and enjoyed great success there before making her Broadway debut in 1965 in John Whiting’s The Devil as a replacement for a vacationing Anne Bancroft.

Ms. Caldwell has received four Tony Awards for in work in Slapstick Tragedy (1966), The Prime of Miss Jean Brodie (1968), Medea (1982) and Master Class (1995).  Her directing credits include An Almost Perfect Person (1977) with Colleen Dewhurst and Off-Broadway’s Vita and Virginia (1994) with Eileen Atkins and Vanessa Redgrave.

Zoe was the wife of Broadway producer Robert Whitehead until his death in 2002.  She is also the mother of producer Charles Whitehead and William “Sam”Whitehead.

In 2001 Ms. Caldwell released an autobiography entitled “I Will Be Cleopatra: An Actress’Journey”.  The 218 page memoir focuses on her early life and career.

1)   Zoe Caldwell starred as “Maria Callas”in Master Class with Audra McDonald
2)   Audra McDonald did Ragtime with Judy Kaye.
3)   Judy Kaye was the original “Carlotta”in The Phantom of the Opera with Michael Crawford.

“We artists wear our hearts on our sleeves.”                 
                        Maria Callas in Master Class (1995)

So that’s the game.  Join me each week as I try to come up with new ways of connecting Michael Crawford to the entire theater community.

 

 

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